Portraits for NHS heroes.

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I've recently finished my portrait for NHS heroes.  The painting depicts Georgie an Oncology Nurse at Cheltenham General Hospital. Georgie has been redeployed to work in a Covid 19 ward.  The portrait has received great feedback and Sarah, Georgie's mum thinks I have captured her even under the PPE.  A privilege to paint the picture - it was a moving experience painting the portrait, and I tried to capture the disconcerting feel PPE has.

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New Work

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After an absence from painting I'm back on board - its definitely not like riding a bike you've got to really work to get the hand and eye co-ordination working again.   Starting on small pictures I've been concentrating on simple mark making and colour - I'm very pleased.  'Phlox and Daisies', 'Turning Skewbald', 'Pensive Skewbald', 'Washday Day' and assorted Jockeys Sketch pictures. For more information:  flyingturtino@madasafish.com
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Gardens Gallery exhibition.

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  A LIFE IN PAINTING     An exhibition of figurative paintings by Cheltenham based artist Tim Turton.   THE GARDENS GALLERY, CHELTENHAM.   Wednesday 21st October to Tuesday 26 th  October.   This exhibition covers a range of subjects – Cotswold Landscapes, Still Life, Drawings, Horse Racing, Seascapes, Modern Dance, Still Life and on show will also be my portrait for NHS heroes.  Work will be for sale including framed and unframed paintings and drawings.   I predominately work in acrylic and love the versatility of this medium.  I have been described as a painter’s painter. I think this means that there is intrinsic beauty in the mark making and the design elements – a process I use to capture the essence of the subject.     ABOUT TIM TURTON.   After leaving Art College, I like many artists had to work in other trades to supplement my artistic career. At twenty-five I was fortunate to get a position of artist in a nationally recognised studio.  After 6 years there I moved into Graphic
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Paintings for the exhibition.

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I've been preparing hard for the exhibition in Winchcombe. As I look through my work and create more paintings I've realised that the 'feel' of a paintings starts with drawing and the subject. If I'm painting an energetic race scene the initial drawing is bold and the subsequent mark making, tone and colours reflect this.  If I'm painting a gentle scene then conversely more time is spent refining the initial drawing so that the mark making and colours are subtle and gentle - at times almost sepia.
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